Patrons of Bespoken Theatre


Rebecca Prichard

Patron

Playwright Rebecca Prichard's first work, Essex Girls, was performed at The Royal Court Young Writers’ Festival in 1994. Fair Game, her adaptation of Edna Mazya’s Games in The Backyard opened at the Royal Court Theatre Downstairs in 1996 and her play Yard Gal (co-commissioned by Clean Break Theatre Company and Royal Court) was staged at the Royal Court Theatre, followed by a national tour. In 2013 Yard Gal was named one of the most influential plays in contemporary British Theatre (V&A, Played in Britain: Modern Theatre in 100 Plays). Her other works include: The Slow Death of Ecstasy(comm. Royal Court 1995); An East Side Story (comm. Out of Joint 2000); Delir’ium(Royal Court 2003); Futures (Theatre503 2005); Porn Etc (comm. University of Essex 2008); Carnevale (comm. Royal Shakespeare Company 2010); Dream Pill(Clean Break 2010, touring through 2015); Parallax (Almeida 2012); Congo Boy(comm. National Theatre 2014); Covfefe (comm. VCA, University of Melbourne 2017) and she is currently under commission to the Royal Court Theatre. Her short play Bury Her (2019) was recently performed at Queer Upstairs at The Royal Court, an event marking fifty years since the Stonewall Riots. Her work has been produced in Europe and the United States and she has written for radio (Something Blue, The Good Doctor) and television (Butterfly World, Channel Four Jumpcuts). Awards and residencies include: Critics' Circle Award for Most Promising Playwright (1998); Writer-in-Residence, Royal Court Theatre (1999-2000); Literary Associate, Hampstead Theatre (2004-2005); AHRC Creative Fellowship (2007-2010); Yale University Fellow at the Gilder Lehrman Centre for Modern Day Slavery (2014-2015); International Research Scholar, University of Melbourne (2015-2019)

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Eugenie Douglas

Patron

Eugenie is a Therapeutic Social Worker and Child and Family Mental Health Specialist, working within many communities across London. Eugenie is a respected and established community figure, well known to families and staff working within Education, Clinical settings, GP Surgeries and Voluntary Organisations. Eugenie is passionate about the importance of creativity within mental health and has facilitated the development of creative play skills through parent and child interaction and attachment. She has also provided mental health training and consultation in the community for groups and has developed workshops around Post Traumatic Stress Disorder and mental health resiliance and self regulation. Eugenie is a strong advocate for groups that are at a social or economic disadvantage and she also consults with public services and other organisations on structured inequalities, enabling changes towards accessing supportive and inclusive services for all. We are truly delighted to welcome Eugenie to the Bespoken family. We feel that her expertise and knowledge will enable us to shape inclusive theatre and performance for everyone. Supporting us in our hope to promote the importance of the arts within mental health and the community.

Lee Simpson

Patron

Lee Simpson, writer and performer is also the Artistic Director of Improbable Theatre. Lee is also well known and loved for being a member of The Comedy Store Players. Bespoken Theatre have been huge fans of Improbable Theatre for many years and are delighted to have Lee Simpson as a patron for the company. Lee explores social attitudes to disability, mental health and aging amongst other issues through theatre, comedy and improvisation. He recently directed the show Still No Idea for The Royal Court with Lisa Hammond and Rachael Spence which explores attitudes towards disability and inclusion. Lee collaborated with Paul Merton on the comedy show Out Of My Head which dealt with issues around mental health. In 2017 Lee directed Lost Without Words for The National Theatre with Phelim Mcdermott. An improvised show with older actors in their 70's and 80's using just props, no script but their own words. Lee is also a dedicated pioneer in the art and skill of improvisation and also teaches and delivers workshops with performers and artists. He has also facilitated story telling and drama workshops for the Bethlem and Maudsley Hospital school.